Date of Award
5-2009
Document Type
Thesis
Degree Name
Master of Arts (MA)
College/School
College of Humanities and Social Sciences
Department/Program
English
Thesis Sponsor/Dissertation Chair/Project Chair
Mary C. English
Committee Member
Lee Behlman
Committee Member
Arthur D. Simon
Abstract
Though the plays of the early Greek comedian Aristophanes are replete with crude humor and buffoonish behavior, it is important to examine the works through a more critical lens rather than discounting them as mere entertainment. Aristophanes expounds upon political conflict and leaders, scoffs at social mores, and highlights the many facets of human nature. In addition, the dynamic between men and women is a central theme in many of Aristophanes’ plays. Comedies such as the Lysistrata, Assemblywomen, and Women at the Thesmophoria feature women who appear to be empowered as they try to fight against patriarchal systems; however, examining the plays through a feminist or gender studies perspective may dismiss the possibility that Aristophanes nurtured an early belief in gender equality. It is arguable that the role of women in Aristophanic comedy is to provide a medium for female objectification. In other words, the female characters personify widely-held stereotypes and portray the women as sexual objects.
File Format
Recommended Citation
Berhang, Jessica Marie, "Unruly Wives and Dancing Girls : The Objectification of Women in Aristophanic Comedy" (2009). Theses, Dissertations and Culminating Projects. 1099.
https://digitalcommons.montclair.edu/etd/1099