Date of Award
5-2024
Document Type
Thesis
Degree Name
Master of Fine Arts (MFA)
College/School
College of the Arts
Department/Program
Theatre and Dance
Thesis Sponsor/Dissertation Chair/Project Chair
Stefanie Batten Bland
Committee Member
Apollinaire Scherr
Committee Member
Jessica Dimauro
Abstract
Double Tap: The Curation of Self is a deep look into how visual and virtual presentation influences identity. Through the constant presence of social media, we have access to the most intimate self as both viewer and poster. This positionality can be celebrated and vilified through our scrolling habits. Double Tap allows me, as an interdisciplinary artist, to interrogate the hidden landmines, avoiding recrimination and winning validation. GRWM (get ready with me) is the performance companion to my research that illuminates the impossibilities of confronting the battle of our many outfacing identities, and being honest with the in-facing one. In response to being constantly met with my reflection and the virtual reflections of everyone else, peers and strangers alike, my performance work conceptualizes our choices to conceal or reveal parts of ourselves. Engaging with the merry-go-round of GRWM methods through my artistic process, I unpack the superfluous and superficial platforms with audience participation. Together, we discover why they are relevant in dance, and how live performance and presentation are directly related to commerce, branding, and self-fashioning. TikTok and Instagram combine those modes. The self-made entrepreneur is making herself in public.
File Format
Recommended Citation
Lee, Kristen, "Double tap: the curation of self" (2024). Theses, Dissertations and Culminating Projects. 1399.
https://digitalcommons.montclair.edu/etd/1399
Included in
Dance Commons, Personality and Social Contexts Commons, Social Psychology and Interaction Commons