Date of Award
5-2026
Document Type
Thesis
Degree Name
Master of Arts (MA)
College/School
College of Humanities and Social Sciences
Department/Program
English
Thesis Sponsor/Dissertation Chair/Project Chair
Melinda Knight
Committee Member
Laura Nicosia
Committee Member
Jeffrey Gonzalez
Abstract
James Baldwin's novel Giovanni's Room was received as a rebellion against his cohort of ex-patriate Black writers due to its entirely white cast. This thesis investigates how the Parisian influence of the Black writers in Paris served as inspiration for the creation of Baldwin’s second publication. The use of racial frameworks progresses the discussion of a different topic: queerness. Giovanni’s Room will be explored in the following ways: Paris as the internal environment of the novel and Baldwin's backdrop in the novel's creation, the conversation of ex-patriate Black writers, feminism, intersectionality, hygiene as queerness, and a three-way split of consciousness. The backdrop of the novel's creation illuminates Baldwin's understanding of racial conversations, as well as his control over language, proving Giovanni’s Room to be a rebellious, racially charged, queer-facing novel that continues to inspire discussion of queerness today.
File Format
Recommended Citation
Lupino, Paloma, ""I Exist in Triple": Parisian Influence, and the Three-Way Split in James Baldwin's Giovanni's Room (1956)" (2026). Theses, Dissertations and Culminating Projects. 1641.
https://digitalcommons.montclair.edu/etd/1641
Included in
English Language and Literature Commons, Queer Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons