Arvo Pärt in the Marketplace
Document Type
Book Chapter
Publication Date
2012
Journal / Book Title
Cambridge Companion to Arvo Pärt
Abstract
Essay about the historical themes of Pärt’s marketable identity and their relationship to current politics and his reception. I explore the language of Pärt’s music in the marketplace, which has broadened from assertions of religiosity and autonomy in conventional recorded formats, to more public and creative ownership in film media as an aesthetic agent of something unattainable, forgotten or dispossessed. Research shows that this process has been characterized as a move from carefully controlled market share to a broad and more inclusive engagement that is no longer governed by proprietary claims.
DOI
10.1017/CCOL9781107009899
Publisher
Cambridge University Press
Journal ISSN / Book ISBN
Online ISBN: 9780511842566
Book Editor(s)
Andrew Shenton
MSU Digital Commons Citation
Dolp, Laura, "Arvo Pärt in the Marketplace" (2012). John J. Cali School of Music Scholarship and Creative Works. 27.
https://digitalcommons.montclair.edu/cali-facpubs/27
Published Citation
Dolp, L. (2012). Arvo Pärt in the marketplace. In A. Shenton (Ed.), The Cambridge Companion to Arvo Pärt (pp. 177–192). chapter, Cambridge: Cambridge University Press.