Augusta Gregory, Bernard Shaw, and the Shewing-Up of Dublin Castle
Document Type
Article
Publication Date
1-1994
Journal / Book Title
PMLA: Publications of the Modern Language Association of America
Abstract
In 1909 the lord lieutenant of Ireland attempted to prevent the Abbey Theatre from producing Bernard Shaw's Shewing-Up of Blanco Posnet because the English lord chamberlain had denied the play a license. Shaw and the Abbey directors Lady Gregory and W. B. Yeats seized the opportunity to contest the extension of English censorship to Ireland. With their genius for hype, they produced the spectacle of their resistance, winning nationalist support for the Abbey. The triumphant first performance was a multivalent occasion, the season's most stylish and seditious event. Gregory filled the theater with Dublin Castle society, members of the very state apparatus that had tried to stop the production; but in meetings with Castle officials and in Abbey press releases, she adopted the idiom of the Irish rebel tradition. Like those other Irish happenings the speech from the dock and the graveside oration, this event was staged not only for its immediate audience but for the Irish people of the future.
DOI
10.2307/463009
MSU Digital Commons Citation
McDiarmid, Lucy, "Augusta Gregory, Bernard Shaw, and the Shewing-Up of Dublin Castle" (1994). Department of English Faculty Scholarship and Creative Works. 84.
https://digitalcommons.montclair.edu/english-facpubs/84
Published Citation
McDiarmid, Lucy. “Augusta Gregory, Bernard Shaw, and the Shewing-Up of Dublin Castle.” PMLA, vol. 109, no. 1, 1994, pp. 26–44. http://www.jstor.org/stable/463009