Submissions from 2022
TLAMACHILIZTLAHTOLÇAÇANILLI: A Performance Translation of the Náhuatl "Wisdom-Discourse Fables" from the Manuscript of 1558, Willard Gingerich (2022)
Submissions from 2021
Narrative and Cosmopolitan Mobility: Teju Cole’s Open City and Joseph O’Neill’s Netherland, Jeffrey Gonzalez (2021)
Submissions from 2020
Overlapping Agencies: The Collision of Cancer, Consumers, and Corporations in Richard Powers’s "Gain", Jeffrey Gonzalez (2020)
European Romanticism and Frankenstein: A Comparative Literature Course for English Majors, Wendy Nielsen (2020)
Introduction: Teaching Global Romanticism, Wendy Nielsen (2020)
Submissions from 2019
Great Gray Poet or Great Gray Fool? Queries of Whitman's Legacy by Chris Adrian, Sherman Alexie, Andrea Dworkin, and Michael Cunningham, Jeffrey Gonzalez (2019)
"'Who’s there?' 'Nay, answer me. Stand and unfold yourself' : Attending to Students in Diversified Settings", Naomi C. Liebler (2019)
Rousseau on Stage: Playwright, Musician, Spectator. Edited by Maria Gullstam and Michael O’Dea, Wendy Nielsen (2019)
Submissions from 2018
Roshan Ara Begum: Performing Classical Music, Gender, and Muslim Nationalism in Pakistan, Fawzia Afzal-Khan (2018)
Edward Lear and the Play of Poetry (Review), Lee Behlman (2018)
The Case of Light Verse, or Vers de Societe, Lee Behlman (2018)
The Marriage of True Minds: Hawthorne and Fuller at Niagara Falls, Monika M. Elbert (2018)
Teaching Goethe’s Faust, Parts I and II, Wendy Nielsen (2018)
Wollstonecraft’s Ghost: The Fate of the Female Philosopher in the Romantic Period / The Joseph Johnson Letterbook, Wendy Nielsen (2018)
Submissions from 2017
Mirrors, Sickrooms, and Dead Letters: Wharton’s Thwarted Gothic Love Plots, Monika M. Elbert (2017)
The Railroad Reverie in Contemporary Irish Poetry*, Lucy McDiarmid (2017)
Better, as in the Geneva: The Role of the Geneva Bible in Drafting the King James Version, Jeffrey Miller (2017)
The Social Network of Early English Drama: A Digital Humanities Lesson Plan, Adam Rzepka, Pierce Williams, and Jennifer Royston (2017)
Submissions from 2016
The Vietnamese American “Model Orphan” in Aimee Phan’s We Should Never Meet, Emily Cheng (2016)
Goethe, Faust, and Motherless Creations, Wendy Nielsen (2016)
Submissions from 2015
The politics of pity and the individual heroine syndrome: Mukhtaran Mai and Malala Yousafzai of Pakistan, Fawzia Afzal-Khan (2015)
Social Space and the Suburb in Mike Cahill's King of California: Mapping Race, Neoliberalism, and Narratives of the Past in the Southern California Landscape, Emily Cheng (2015)
At Home in Nature: Negotiating Ecofeminist Politics in Heidi and Pollyanna, Monika M. Elbert (2015)
Narratives of Teaching and Disability in Nineteenth-Century Children’s Literature, Monika M. Elbert (2015)
Water, Waste, and a “Greater Communion”: Rubem Fonseca’s “The Art of Walking in the Streets of Rio de Janeiro”, Johnny Lorenz (2015)
Art Cinema, Alex Lykidis (2015)
Crisis of Sovereignty in Recent Greek Cinema, Alex Lykidis (2015)
Travel in Greek Cinema of the 1990s, Alex Lykidis (2015)
Rousseau’s Pygmalion and Automata in the Romantic Period, Wendy Nielsen (2015)
Rousseau’s Pygmalion and Automata in the Romantic Period, Wendy Nielsen (2015)
'How Easy Is a Bush Supposed a Bear?': Differentiating Imaginative Production in A Midsummer Night's Dream, Adam Rzepka (2015)
Submissions from 2014
Pearl S. Buck’s “American Children”: Adoption of the Amerasian Child, U.S. Democracy, and The Occupation of Japan in The Hidden Flower, Emily Cheng (2014)
Troubling the ‘Happy Family’: US Liberalism and Narratives of Transnational Adoption and Immigration from China, Emily Cheng (2014)
Poe and Hawthorne as Women’s Amanuenses, Monika M. Elbert (2014)
(S)exchanges: Reconciling Difference in Julia Ward Howe’s The Hermaphrodite and the Gender Dialectics of Transcendentalism, Monika M. Elbert (2014)
Ontologies of Interdependence, the Sacred, and Health Care: Marilynne Robinson's Gilead and Home, Jeffrey Gonzalez (2014)
Submissions from 2013
The Paradox of Catholicism in New England Women’s Gothic, Monika M. Elbert (2013)
Film and Migration: Narrative, Genre, Spectatorship, Alex Lykidis (2013)
Milton, Zanchius, and the Rhetoric of Belated Reading, Jeffrey Miller (2013)
Submissions from 2012
The Woman’s Law in The Scarlet Letter, Monika M. Elbert (2012)
Occupy Wall Street's Debt to Melville, Jonathan Greenberg (2012)
The Faulty Metaphors of Finance in Memórias póstumas de Brás Cubas, Johnny Lorenz (2012)
Fairy Tales Redux: Jon Scieszka’s Revitalization of a Genre for the 21st Century Kid, Laura Nicosia and James Nicosia (2012)
Submissions from 2011
The Victorian Marcus Aurelius: Mill, Arnold, and the Appeal of the Quasi-Christian, Lee Behlman (2011)
Black Representation in Independent Cinema: From Civil Rights to Black Power, Alex Lykidis (2011)
Submissions from 2010
Performative Interventions in the Body Politic of Pakistan, Fawzia Afzal-Khan (2010)
Sext of Saudade, Fawzia Afzal-Khan and Annie Rachele Lanzillotto (2010)
Jihad Against Violence: A One-Act Play, Fawzia Afzal-Khan and Bina Sharif (2010)
Loving 'Stranger-Wise': Augusta Webster's Mother and Daughter and Nineteenth-Century Poetry on Motherhood, Lee Behlman (2010)
The Metropolitan as Master Subject: Janet Flanner's 'Paris Letters', Jeffrey Gonzalez (2010)
Cannibals and Catholics: Reading the Reading of Evelyn Waugh's Black Mischief, Jonathan Greenberg (2010)
Multicultural Encounters in Haneke's French-Language Cinema, Alex Lykidis (2010)
Making Sense of the Lunacy: Synesthesia, Paratextual Documents and Thoughtless Memory in John Dufresne’s Deep in the Shade of Paradise, Laura Nicosia (2010)
Submissions from 2009
Meat and the Millennium: Ruth Ozeki’s My Year of Meats and the Transnational Politics of Race and Gender, Emily Cheng (2009)
Minority and Immigrant Representation in Recent European Cinema, Alex Lykidis (2009)
The Ideology of the Mermaid, Patricia A. Matthew and Jonathan Greenberg (2009)
“Boadicea Onstage before 1800, a Theatrical and Colonial History.” Studies in English Literature 1500-1900 49.3 (Summer 2009): 595-614., Wendy Nielsen (2009)
Submissions from 2008
Saints and Sinners: Uncanny Resemblances between Alcott and Twain and Their Redemptive Adolescent Protagonists, Monika M. Elbert (2008)
Adolescent Literature and Second Life: Teaching Young Adult Texts in the Digital World, Laura Nicosia (2008)
Louis Sachar’s Holes: Palimpsestic Use of the Fairy Tale to Privilege the Reader, Laura Nicosia (2008)
Literature Alive! Using Second Life to Teach American Literature, Laura Nicosia, Eloise Pasteur, and Beth Ritter-Guth (2008)
Submissions from 2007
Ethical and Methodological Considerations in Clinical Communication Research with Hispanic Populations, José G. Centeno and Willard Gingerich (2007)
Okonkwo and the Storyteller: Death, Accident, and Meaning in Chinua Achebe and Walter Benjamin, Jonathan Greenberg (2007)
Submissions from 2006
Nature, Magic, and History: Forging a National Identity in Stowe, Monika M. Elbert (2006)
Nathanael West and the Mystery of Feeling, Jonathan Greenberg (2006)
Adolescent Literature of Witness: Testimonies from the American Margins, Laura Nicosia (2006)
"Prodigiousness of Diction": Marianne Moore and Sir Thomas Browne, Secret Sharers of a Like Tradition, Laura Nicosia (2006)
A Tragic Farce: Revolutionary Women in Elizabeth Inchbald’s The Massacre and European Drama, Wendy Nielsen (2006)
Edmund Eyre's The Maid of Normandy; or, Charlotte Corday in Anglo-Irish Docudrama, Wendy Nielsen (2006)
Submissions from 2005
Review of David Adams, Colonial Odysseys: Empire and Epic in the Modernist Novel, Jonathan Greenberg (2005)
Escape from the dead letter office Smuggled Birds and the Paperless Body in the Americas, Johnny Lorenz (2005)
A Box for Wilfrid Blunt, Lucy McDiarmid (2005)
On the Irish Tradition of Intemperate Speech, Lucy McDiarmid and Shirley Kelly (2005)
“The Essential If/Then: Nathan Zuckerman as Flawed Liberal Ironist in Philip Roth’s The Counterlife.”, Laura Nicosia (2005)
Submissions from 2004
Burning, burial, and the critique of stoicism in Pater's Marius the Epicurean, Lee Behlman (2004)
The Escapist: Fantasy, Folklore, and the Pleasures of the Comic Book in Recent Jewish American Holocaust Fiction, Lee Behlman (2004)
Hawthorne's Gentle Audience and the Feminization of History, Monika M. Elbert (2004)
Lady Gregory, Wilfrid Blunt, and London Table Talk, Lucy McDiarmid (2004)
Jewett's the Country of the Pointed Firs, Laura Nicosia (2004)
Submissions from 2003
From Ancient to Victorian Cultural Studies: Assessing Foucault, Lee Behlman (2003)
Wharton's hybridization of Hawthorne's 'brand' of Gothic: gender crossings in 'Ethan brand' and 'bewitched', Monika M. Elbert (2003)
"Was Anyone Hurt?": The Ends of Satire in "A Handful of Dust", Jonathan Greenberg (2003)
Submissions from 2002
Striking a Historical Pose: Antebellum Tableaux Vivants, "Godey's" Illustrations, and Margaret Fuller's Heroines, Monika M. Elbert (2002)
The Displacement of Desire: Consumerism and Fetishism in Mary Wilkins Freeman's Fiction, Monika M. Elbert (2002)
Submissions from 2001
Sacred Forgeries and the Translation of Nothing in the Tablets of Armand Schwerner, Willard Gingerich (2001)
Submissions from 2000
The Man Who Died for the Language: The Reverend Dr. O’Hickey and the “Essential Irish” Controversy of 1909., Lucy McDiarmid (2000)
Submissions from 1999
Reviews: Mass Transit by Maniza Naqvi, In the City by the Sea by Kamila Shamsie, Fawzia Afzal-Khan (1999)
Submissions from 1997
South of Nothing, West of No One: The Prospect for American Studies of Centered Southwest, Willard Gingerich (1997)
Submissions from 1995
Maternal Dialogics in Toni Morrison's Fiction, Monika M. Elbert (1995)
Armand Schwerner: An Interview by Willard Gingerich, Willard Gingerich (1995)
Submissions from 1994
An Interview with Armand Schwerner, Willard Gingerich (1994)
Augusta Gregory, Bernard Shaw, and the Shewing-Up of Dublin Castle, Lucy McDiarmid (1994)
Submissions from 1993
Poems and Songs of the Cuicapicqueh, Contemporary Nahuatl Poets, Willard Gingerich (1993)
Submissions from 1992
Cihuacoatl, Her Song, from the Florentine Codex, Willard Gingerich (1992)
Myth of the Suns and the Toltec-Chichimec Origins of the Mexica People: The Entire Leyenda de los Soles, Willard Gingerich (1992)
Quetzalcoatl's Hero Journey, from the Anales de Cuauhtitlan, Willard Gingerich (1992)
Ten Types of Ambiguity in Nahuatl Poetry, or William Empson among the Aztecs, Willard Gingerich (1992)
Teteo Innan, Her Song, from the Florentine Codex, Willard Gingerich (1992)
Tlaloc, His Song, from the Florentine Codex, Willard Gingerich (1992)
Submissions from 1991
Drum of Poetry, Drum of War, Willard Gingerich (1991)