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Theses/Dissertations from 2024

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Beyond Coming Out and Queer Tragedy : How Julie Ann Peters, Becky Albertalli, Adam Silvera, and Aiden Thomas Navigate Through the Spectrum of Queer Representation, Jacqueline Carey (2024)

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Playing With Every Sense of the Word : Lolita Through the Lens of Jacques Derrida, Noelle Marie Florio (2024)

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Exploring Instability in Dream-Based Narratives : A Comparative Analysis of “Vanilla Sky” and "Inception", Sara Glemaud (2024)

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Beyond Print : The Web of Egan’s Narrative Universe, Cassandra Sardo (2024)

Theses/Dissertations from 2023

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An Unfaithful Feminist : Neoliberal Feminism, Identity, and Postmodernism in Jenny Offill’s Dept. Of Speculation, Anne Bobis (2023)

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Professional, Personal, Societal : The Detrimental Effects of Identity Revolving around Career in Kazuo Ishiguro’s Remains of the Day, Salvatore Cerchio (2023)

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Racial Capitalism in Colson Whitehead’s The Underground Railroad, Daniel Paul Marx (2023)

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Adult Women in the Wizarding World : Rowling’s Ideal Female in the Harry Potter Novels, Grace Ann McCarthy (2023)

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The Commercialization and Imposed Voices of Femininity in The Summer I Turned Pretty, Danielle McClelland (2023)

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Ecocriticism and the Young Adult Audience in Dry and The Islands at the End of the World, Nicole Marie Sysyn (2023)

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Sylvia Plath as a Confessionalist Writer : The Queen Bee, Alexandra Tangarife (2023)

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The Ghost of the Neo-Slave Narrative : Jesmyn Ward’s Sing, Unburied, Sing and the Evolution of the Black Gothic, Kabria Wimbush (2023)

Theses/Dissertations from 2022

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The Framing of Black and White Masculinities in Toni Morrison’s Beloved, Felesha Beckford (2022)

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“I’m not like that!” : Reframing Contemporary Ecopoetic Criticism and De-Metaphorizing the Nonhuman Animal, Alexandra Franke (2022)

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The Women of Brewster Place : A Dream Deferred and Unactualized, Lauren Fuentes (2022)

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Muslim Young Adult Graphic Novels : Destabilizing Perceptions, Sidra Habal (2022)

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Into the Roach’s Mouth: Beyond the Postmodern Discourse on Silence in Clarice Lispector’s The Passion According to G.H., Eman Halimeh (2022)

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Resisting Dominican Motherhood across Julia Alvarez’s How the García Girls Lost Their Accents and Junot Díaz’s The Brief Wondrous Life of Oscar Wao, Ana Hilario (2022)

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“To Feel Myself Beloved on the Earth” : Hauntology and Memory in the Films of Alejandro Gonzalez lnarritu, Elizabeth Denny Hook (2022)

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Caliban the Savage : Shakespeare’s Critique of Colonialist Misappropriation of Indigenous Identities, Leonard Aquil Hughes (2022)

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"Neither Here Nor There" : Migrant Women and the Cycle of Cultural Masculine Superiority, Fiorella Medina (2022)

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The Wide-Reaching Appeal of Fan Fiction and Its Merits in Popular Culture, Summer Nawaz (2022)

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The Eye’s Construction of Power in Richard II, Julius Caesar and Macbeth, John O’Brien (2022)

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Literary Machiavellianism, the Vice Figure, and the Jewish Character : Anti-Semitic Perceptions in The Jew of Malta and The Merchant Venice, Allison Schaechter (2022)

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“The Delta is Filled Up With Death” : Death As Avoidance and the Construction of White Identity in Lewis Nordan’s Music of the Swamp, Sarah Sturm (2022)

Theses/Dissertations from 2021

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Having Her Dinner and Eating It Too : Edna’s Last Dinner Party, Brielle Babiar (2021)

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Octavia E. Butler’s Dawn and “Bloodchild” : From Human to Posthuman, Nicole Fields (2021)

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Marital and Maternal Mourning : Gravesite Domesticity in Sylvia Townsend Warner’s “Epitaphs”, Alexis Grainger (2021)

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A Whole New (Eastern) World: Ramy Youssef’s Role in the Undoing of Orientalism in Modern-Day Media, Mary Hanna (2021)

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A Film of Many Colors : Neoliberalism, Capitalism, and Climate Change in Rango, Sierra Javras (2021)

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Wound and Weight : “Cumbrous Flesh” and Pain in Paradise Lost and Paradise Regain’d, John Robert Jenkins (2021)

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Freudian Melancholy and Bodily Mutilation in “Little Snow White” and “The Sleeping Beauty in the Wood”, Valmira Kaba (2021)

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Reflections of a Broken Mirror : An Analysis of the Mirror Motif in The Famished Road, Mama Day, and Us, Samira Pigford (2021)

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The Island Remembers : Land Memory, Collective Memory & Trauma in Gloria Naylor’s Mama Day, Justine Prusiensky (2021)

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Salvaging the Utopia : Posthumanism, Feminism, and Anti-Patriarchal Language in Kathy Acker’s In Memoriam to Identity, Fe Lorraine Agustin Reyes (2021)

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“True Darkness and True Womanness” : A Study of Sisterhood in Marlon James’ The Book of Night Women, Jessica Schwartz (2021)

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The Impact of the Translation of the Quran on Shakespeare’s Plays, Rania Shair (2021)

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“I Shall Watch Their Progress”: The Observer Effect and Information Theory in Literary Systems, Michael L. Shohet (2021)

Theses/Dissertations from 2020

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Tension Within Immigrant Identity in South Asian and Asian Characters in The Reluctant Fundamentalist, Everything I Never Told You, and Disgraced, Dania Abdelsalam (2020)

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Euripides : Suppliant to the Divine Feminine, Liz Amato (2020)

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"A" is for Ambivalence : Hester Prynne's Conflicted Response to Motherhood in Hawthorne's The Scarlet Letter, Stephanie Morecraft Carlson (2020)

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“Mutually Exclusive” : Exploring Gender and Sexuality in Shakespeare’s Twelfth Night, Caitlin Moran Casey (2020)

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“Life Swarms with Innocent Monsters” : the Monstrosity of Gender Inversion in Bram stoker’s Dracula, Natalie Diane Cottrill (2020)

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Stellar Transfigurations of Disabled Bodies : Wangechi Mutu and Afrofuturism, Addys Lorenzo Gonzalez (2020)

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"Gazing on Vacancy" : Charlotte Bronte's Critical Portrayal of Church Life in Shirley, Emily Pataki Hamburger (2020)

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“There is Power in a Woman’s Wit and Will” : Womanly, Wit, Will, and Wiles in Gothic Works of Louisa May Alcott, Alexandra Ortea (2020)

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Anti-Semitism in American Realist Literature: Edith Wharton’s Sim Rosedale - a Thorn in American Identity, Elizabeth Pantirer (2020)

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Politically Correct Language in George Carlin, Alan Schultz (2020)

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Magic in the Classroom: The School Story and the Implications of Discipline in Harry Potter, Megan Thompson (2020)

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Ride of the Waelcyrges : Combating Notions of Feminine Passivity and Monstrous Deviance in Anglo-Saxon Literature, Shaina Marie Strang-Wolf Tullo (2020)

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Making Meaning : Death, Dignity, and Dasein in Kazuo Ishiguro’s Never Let Me Go, Angel Katrina Tuohy (2020)

Theses/Dissertations from 2019

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The Eternal Detective : Poe’s Creative and Resolvent Duality in the Hardboiled Era, Michael Cresci (2019)

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Mōnstrum Ex Machina : Reading the Artificial Life as Monster in Three Contemporary Western Narratives, Constance Lynnette Humphrey (2019)

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“This Unique Empire” : Sylvia Plath and Anne Sexton’s Embodied Poetry as L’Ecriture Feminine, Theresa Kircher (2019)

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The Perversion of Dignity in Tsitsi Dangarembga’s Nervous Conditions, Lilian Nyanchama Mayaka (2019)

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"Pure language" : Authenticity, Punk Ideology, and Belonging in A Visit from the Goon Squad, Kimberly Plaksin (2019)

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“A Present Tense People, Modern, Relevant, Alive” : Writing Against Erasure in Tommy Orange’s There There, Greg Riggio (2019)

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Ecocriticism and the Trans-Corporeal : Agency, Language, and Vibrant Matter of the Environmental “Other” in J.R.R Tolkien’s Middle Earth, Garrett Van Curen (2019)

Theses/Dissertations from 2018

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Shakespeare and the "Two Masters" In and Around Joyce, Robert Conklin (2018)

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“The Unwelcome Truth” : Arthur Miller’s The Crucible as Satirical Political Allegory, Deanna Marie Mattia (2018)

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Flawed to Start : The Inconsequence of Action in the Novels of Brian O’Nolan, Christopher M. Mitchell (2018)

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“‘Bold Words Vouched with a Deed so Bold’ : Latent Orientalism and Narrative in John Milton’s Paradise Lost”, Carolyn Noury (2018)

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The Library in the Mountains and the Writing on the Wall : Fragmented Memories and Cultural Amnesia in Ursula K. Le Guin, Erin Michelle Roll (2018)

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Trajectories of the Postcolony in The Color Purple, Kim Silva-Martinez (2018)

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Queens of Failing Nations in Classical Tragedy, Katie L. Toledano (2018)

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Making Narrative Theory Teachable : Experiments and Overlaps in Lost, Arrested Development, and A Visit From The Goon Squad, Kristen Lynn Zosche (2018)

Theses/Dissertations from 2017

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We’re All Mad Here : The Madness of Linguistic Expression in Alice’s Adventures in Wonderland, Rose Arszulowicz (2017)

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An Examination of Hegemonic Structures : Deconstructing the Myth of Education as an Equalizer, Daniela Conte (2017)

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"Oh! why does he not look at me? why cannot I speak to him?" : Indirectness in Three Novels by Jane Austen, Claire A. Davanzo (2017)

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Orphan Benefactors and Orphan Innocence in Charles Dickens and Helen Hunt Jackson, Monika Mezyk (2017)

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Sharp Teeth, Red Lips, and Dangerous Ideas : The Construction of the Female Abhuman in Fin-de-Siecle Gothic Literature, Karina Millan (2017)

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E-Portfolios as an Alternative to PARCC in the "College and Career Ready" Age, Katherine Ondrof (2017)

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Rethinking Foreignness in the Works of John Milton, Courtney Van Saders (2017)

Theses/Dissertations from 2016

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Deconstructing Zombies of Capitalism : the Walking Dead and New Views of American Zombies, Jennifer Daly (2016)

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Coding the Common Core : What's Missing from the English Language Arts Standards for Writing, Joseph Anthony De Guzman (2016)

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Canon Fodder in the Institutional Vessel : The Missing Voice of the Student in Literary Canon and Curriculum Discourse, Meagan J. DeJong (2016)

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"You are all a lost generation" : The Wandering Soldier in the Short Stories of Ernest Hemingway, Stephen Denn (2016)

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Talk to Text, George Gallagher (2016)

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The Victorian Influence on Virginia Woolf's Domestic Feminist Aesthetic in Mrs. Dalloway and To the Lighthouse, Heather Mary Greenberg (2016)

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Toward a Phenomenological Poetics : The Interplay of Philosophy and Poetry in William Butler Yeats’s “The Tower” and “Meditations in Time of Civil War”, Peter Michael Lang (2016)

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History of Housewives in First-Year Composition and Effects on Students, Pay, and Pedagogy, Vera Lynn Lentini (2016)

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Lost Generations and the Problem of American Identity : The Emergence of Racial Nativism in American Culture (1890s-1920s), Gloria Lugo (2016)

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Bridging the Gap Between Manner and Matter : The Friction of Reticence and Resistance in Sylvia Townsend Warner's Intimate Poems, Giana Milazzo (2016)

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Bridges, Not Towers: Connecting Universities and Local Communities for Community Writing Projects, Alicia Remolde (2016)

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"A Better Calm / of Meet Companionship" : Augusta Webster's (Re)Vision of Victorian Wifehood and Marriage, Jennifer Sabatelli (2016)

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"Gutless Bitch" Camouflage : Post-Postmodern Barbarism and Shifting Gender Performativity in AMC's The Walking Dead, Lynette Marie Surie (2016)

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Domesticity, Literacy, and Self in Mary Shelley's Frankenstein, Abigail Walker (2016)

Theses/Dissertations from 2015

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Robo-Teaching? : Automated Essay Scoring and K-12 Writing Pedagogy, Swati Viren Chauhan (2015)

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Putting Pedagogical Compositional Theory in Action : A Case Study of Process Based Approaches to Exploring Unfamiliar Writing Tasks, Brett Conrad (2015)

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Sorry, Not Sorry : Speech as Action for Women in the Works of Aemilia Lanyer and John Milton, Tiffany Ann Errickson (2015)

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Politics and Prophecy : Melville's America in Moby-Dick and Benito Cereno, Michelle T. Fernandes (2015)

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"Academia, Here I Come!" : Plain Language and Academese in the Postsecondary Academy, Heather Lockhart (2015)

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Ghettoizing Black Women's Literature : A Socio-Historic Study of Black Women Writers and the White Publishing Industry, Kimberly Wiley Luna (2015)

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A Classroom Stuck in Time : The Theoretical Ambitions of Curriculum and the Reality of Classroom Practice, Rebecca McGrath (2015)

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Secular Transformations and Spiritual Manifestations : Three Poems by Auden, Zachary Rosenblum (2015)

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Dynamic Future : Movements Beyond Postmodernism in Three Contemporary American Novels, Christopher Aleixo Teixeira (2015)

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Beelzebub : Satan's Consort in John Milton's Paradise Lost, Beth Tippenreiter (2015)

Theses/Dissertations from 2014

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Visions of Terror : Reconstructing Literature Through 9/11 Texts, Jennifer Michelle Agens (2014)

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Technical and Structural Experimentation in Dave Eggers' A Heartbreaking Work of Staggering Genius and Jonathan Safran Foer's Extremely Loud and Incredibly Close, Samantha Branin (2014)

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Optical Misperception and Shakespearean Drama, Lisa Marie Castelluber (2014)